
Some surprisingly draconian castigation of videos of gameplay emerges from several (anonymous) game companies, who were interviewed by TV programme “The Net Star”, which focuses on anime and games:
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Major manga publisher Kodansha have begun free online distribution of a manga under the terms of the Creative Commons license, a first. Kodansha’s CC terms stipulate free reproduction of the title as long as it is “non-commercial”, unchanged and maintains attribution – they are even encouraging blogs to reproduce the title.
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Two studios renowned for their extraordinarily draconian approach to copyright enforcement, Lantis and Sunrise, have apparently been demanding anime fan sites remove all episode caps, citing a breach of copyright. Publishing fan art online is also forbidden by Sunrise.
Even heavy hitter Yamakan has offered harsh criticism of the policy, which seems to lend substantial credibility to the missives. There is also some suspicion from the titles involved that copyright is not their only concern…
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China’s audacity in flagrantly copying and pirating all it can continues to impress, with the news that an entire Chinese clone site of NicoNico Douga has been created, carrying the very same MADs and copying exactly the signature tickered comments of NicoNico Douga.
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A Chinese gaming rag, 掌机迷, one bearing a striking resemblance to Famitsu, has taken a distinctly Chinese approach to respecting copyright, by helpfully including the full ISO and similar data on its cover disc for the games it is reviewing.
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Taiwanese anime fans have uncovered plagiarism of truly staggering proportions in the Chinese language MMORPG “女神ONLINE ~NORN SABER ONLINE~”, by “developer” Chinese Gamer International. It looks as though just about every single element of the game, from CG to sprites, and even TV commercials, is tainted with plagiarism.
Sadly, it seems the uniquely Chinese approach to copyright we have come to be familiar with is not restricted to the mainland…
In terms of the breadth and brazenness of its plagiarism, Norn Saber Online is undoubtedly in a class of its own:
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Major anime and manga publisher Kadokawa claims revenues of 10 million yen monthly from YouTube advertising revenue sharing on its YouTube-based Kadokawa Anime Channel, both from episode and MAD viewing, and reports 50 million views from September to November of 2008; they now promise to recognise fan-made videos they like, and naturally to receive their due.
This is, they would have us believe, proof that a new business model based on online distribution and liberal usage rights is commercially viable.
Much of this success is said to be due to the effect of Haruhi, Lucky Star, and Strike Witches.
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- Author: Artefact
- Categories: Anime, H, News
- Date: Dec 25, 2008 06:59 JST
- Tags: AV, Censorship, Copyright, Cosplay, IdolM@ster, Namco Bandai, Parody, TMA

The recently announced Idol Master cosplay parody AV “Adult Master”, produced by the infamous TMA and due for release in January, has been mysteriously cancelled without explanation.
The immediate suspicion is that Namco has exerted pressure over TMA to halt distribution of the offending title.
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A maker of Touhou goods reports a criminal shakedown attempt by a company fraudulently claiming to administer the copyright to the Touhou franchise; the company aggressively demanded compensation for violating their supposed “contract”, and threatened legal action if these funds were not forthcoming.
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Crazy shrine maiden anime Kannagi has been censored for what lagged (but extremely high quality) satellite broadcaster BS-J deems unacceptable utterances, with the words replaced by a bleep in classic fashion.
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The above image compares a scene from volume one of the To Love-Ru manga with an illustration aired recently on TBS late night enertainment program ランク王国 / Rank Kingdom; the illustration, or copy thereof, is apparently by Hiropyon (Hiroko Kamata), a minor tarento (presenter) working on the show.
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Creator of the Touhou doujin shooting game series and notorious hat fetishist ZUN has expressed his discontent at the possibility of Touhou transcending the doujin sphere and becoming a fully developed commercial franchise; he expressly enjoins doujin publishers to restrict the availability of their works and not to promote them to the general public (apparently defined as people who don’t play his games).
In fact, in laying down a long and detailed set of regulations he has issued what many interpret as strong criticism of the much anticipated unofficial anime, due at C75.
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