
Archlich is a Chinese artist of no small talent, whose moody illustrations generally concentrate on dark Touhou-related themes.
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Eriku (絵陸) is an artist whose work more than makes up for its scarcity with artistic quality and extreme eroticism.
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Ero-artist Mahito‘s happy fixation on the ladies of Dragon Quest provides some rather spectacular artistic (and erotic) results.
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Nanahime (or Code49) is an artist whose schoolgirl themed works are likely to be of broad appeal…
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Obscure but rather talented artist Humio (or Fumio) provides a variety of works in a distinctive style – he confesses that he is “not very good but loves drawing and singing, and games and especially eating and sleeping.”
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Artist Saitom‘s distinctly erotic artwork shows extreme promise – not least thanks to his emphasis on erotic situations as well as immaculate artwork. In common with many similarly talented artists, he also likes to draw mecha…
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Namonashi, a pseudonym of mangaka Maya Yamada, presents fine and in many cases exceedingly sexy illustrations of girls from a wide variety of titles.
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The art of Supertie (or “u介”) constitutes some of the finest nekomimi bishoujo pantsu seen anywhere, ever. Scantily clad girls also feature prominently.
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Artist “23” (or “XXIII” etc.) provides a variety of bishoujo as immaculately illustrated as they are sexy, showing off his distinctive style and evident love of toned physiques.
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Russian artist Karanak has recently been developing a reputation for his outstandingly sexy illustrations of scantily clad young ladies, and they certainly make for interesting viewing.
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The Kobe Shimbun’s introduction of the decidedly malformed character moe enthusiasts soon dubbed “Ima-ichi Moenai Musume” (“lacking-in-moe-girl”), or Imaichi-san for short, has proven something of a hit, with her very failure to be moe in itself paradoxically becoming a source of extreme moe.
Naturally many artists have been compelled to explore ways of depicting her moe characteristics more obviously, with some extreme success evident in the below illustrations:
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The 10 year progress charts many Japanese artists have lately taken to creating demonstrate perfectly the adage that “practice makes perfect” – and provide more than a little encouragement for aspiring artists to hang in there and keep practicing, as mastery may be as much a matter of perseverance as of talent:
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